What’s more, you can use external MIDI instruments for controlling internal synths and adding harmonies. Polyvox, on the other hand, does harmonies and pitch correction. So we have Vocoder, Polyvox, Compuvox, Biovox, and Talkbox.Īll except Polyvox have their input signal modulating the carrier synths in the Auto mode or can work in the so-called “Sidechain” mode. VocalSynth 2 comes with five modules, or engines, onboard. In the end, both the dry and processed signal are blended in the final mixing process. This altered signal is then sent to the section filled with the classic “stompbox-style” effects. The signal first goes through the Pitch Correction part, and then into the full library of different synth-like effects. Featuresįirst off, the plugin is, in so many ways, designed according to the first VocalSynth version. After all, the company behind products like Neutron or Ozone is worth checking out again, right? Let’s dig into it. There’s a lot of stuff to look into, but we’ll do our best to be as brief as possible and make our verdict. What initially got our attention here was the abundance of different features and its use in both processing and mixing stages. The product in question is VocalSynth 2, which was conceived and developed by iZotope as the vocal processing “sequel” to the original version. While we’re at it, we figured we could take a closer look at one of the most interesting vocal processing software that came out not so long ago. Whether you’re an independent hobbyist making music from the comfort of your home, or a full-blown professional producer, you always need to be on the lookout for the different vocal processing plugins and techniques. With so many different styles and constant changes in trends, demands for new processing and mixing techniques are always on the rise. Finding ways to make vocal tracks more interesting is not exactly the easiest task.
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